Bought the NYT today at Starbucks on 7th & G because of the beautiful poster like image of Bush and Alito by Kevin Lamarque/Reuters on the front page. How could I resist the blurry absence of George and the lost-in-space puckered kiss of Alito. Well was I in for a pleasant surprise on page A18-A19. That's right, a Stephen Crowley spread. This guy's work and the forward thinking of his editors has produced an amazing image. I presume it to be two images again (see earlier post HERE). This is the newspaper version of the triple fold-outs Leibovitz does for Vanity Fair. See HERE & HERE. Frankly Alex, I'll take Stephen Crowley for the NYT for a dollar (in DC) over Vanity Fair any day. Though, I do a a sweet spot or two for it.
Talk about telling looks. Bush looks down. Alito spys on Bush to his right from almost closed eyelids. An empty chair to his left. The Alito family stand in the second panel. Daughter and son both look down. Maybe mesmerized by the positions the unseen photographers must take on the floor to make a picture of their father. Only his wife is seen proudly looking in the direction of the podium. Random photographers in foreground and one hiding behind a plotted plant. Not only is Bush pictured, but we get two others presidents as well. A Portrait of Kennedy is tucked away in the center of the image, arms folded looking down. Clinton's portrait beems above the Alito family. And wouldn't you know it, his painted hand appears to be on Laura Alito's shoulder. This image by Stephen Crowley is almost pure American "Tableaux Vivant" history painting.
Robin Gavhin, I hope you explore this nominee and his family through their fashion sense as you did Robert's earlier, HERE.